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A Personal view of the Internet Subculture Surrounding the JonBenet Ramsey Murder case |
| The Virtual World | Timeline, Forums, News, Photos, Audio, Vigils, Victims, Parody, Links, Harassment, Hacking, Get Togethers, Forum Wars, Poster Wars, Live Chats, Radio Shows, Egos, Hoaxes, Secrets, Flaming, Deaths, Dedications, Transcripts, Books, Hats, Truth/Lies, Virtual Tours, Pro/Anti Rams | Way Beyond the Picket Fence |
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24 Q. Good afternoon -- actually, good 25 morning, Mrs. Ramsey. Thank you for being here. Page 13 1 A. Good morning. 2 Q. You just heard your attorney explain, 3 basically, the claims in this action. Is there 4 anything that you need clarified with respect to 5 what he said before we go forward? 6 MR. WOOD: I don't think she can 7 answer that question. 8 MR. HOFFMAN: Okay. I just want to 9 give her the opportunity to -- 10 MR. WOOD: We would have to send her 11 to law school and let her go 24 years of 12 practice before we would ask her if she could 13 understand anything I might say. 14 Q. (By Mr. Hoffman) Mrs. Ramsey, I 15 believe that you were the coauthor on a book 16 called "the Death of Innocence"; is that 17 correct? 18 A. Yes, sir. 19 Q. And I would just like to ask you, in 20 your own words, though I know there is discussion 21 in the book, why it is that you wrote the book 22 "Death of Innocence"? 23 A. My husband and I wrote the book so 24 that we could make sure that the truth was 25 presented accurately from our own hearts and lips. Page 14 1 Q. Were there any other reasons? 2 A. No, sir. 3 Q. I am going to -- there is a 4 reference on page 408 of your book. I am going 5 to show that to Mr. Lin first. 6 MR. WOOD: Do you want to mark this? 7 MR. HOFFMAN: No. I just simply 8 want to refresh her memory with respect to that. 9 MR. WOOD: This is page 408 of the 10 paperback? 11 MR. HOFFMAN: Yes, with respect to 12 the paperback. 13 Q. (By Mr. Hoffman) Where there is -- 14 MR. WOOD: Are you asking her to 15 look at the highlighted portion? 16 MR. HOFFMAN: The highlighted portion 17 there, just to refresh her memory with respect to 18 maybe another reason why the book was written. 19 MR. WOOD: You are not representing 20 that this paragraph talks about why the book was 21 written? 22 MR. HOFFMAN: Well, it is one of the 23 express reasons for going into the material that 24 was gone into there with the hope that the killer 25 will be caught; the truth being that the Ramseys, Page 15 1 contrary to media reports, were not responsible 2 for their daughter's death, and that this book, 3 in fact, not only shows that, but also the book 4 contains a chapter on the murderer, meaning that 5 there is a profile of the potential murderer. 6 And I wanted to know from Mrs. Ramsey 7 whether the purpose of the book was something 8 more than just a general, you wanted the truth 9 out. 10 Q. (By Mr. Hoffman) Was the purpose of 11 the book also to present information to the 12 public who might then be able to come forward as 13 to who the murderer was in this particular case? 14 MR. WOOD: That doesn't have anything 15 to do with page 408. 16 MR. HOFFMAN: Well, it is mentioned 17 there. That is one of the stated goals. 18 MR. WOOD: We may just be parsing 19 words. This talks about their goals, bringing the 20 killer to justice. 21 MR. HOFFMAN: Right. 22 Q. (By Mr. Hoffman) Was this part of 23 your goal? 24 MR. WOOD: Was the book consistent 25 with part of your goals? I think that is a Page 16 1 fair question. 2 THE WITNESS: So could you repeat the 3 question? 4 Q. (By Mr. Hoffman) You will be asking 5 me to do a lot of that today. Believe me. 6 Was one of the goals of writing the 7 book to help in the solution of this crime, 8 identifying the possible murderer; meaning that if 9 you put this information before the public, that 10 maybe someone would have information that could 11 then come forward -- 12 MR. WOOD: Objection. 13 MR. HOFFMAN: You object? 14 MR. WOOD: I object to the form of 15 the question, but go ahead and finish. I thought 16 you were through. 17 MR. HOFFMAN: I would like Mrs. 18 Ramsey to explain whether or not that was part of 19 the goal of the book was basically to assist in 20 finding the killer of JonBenet Ramsey. 21 THE WITNESS: Well, I believe there 22 was a section of the book that talks about the 23 profile of the killer, as we have been told about 24 him. So that information, yes, was included in 25 the book to be brought forth to the public in Page 17 1 the event that that would assist in someone 2 remembering things that would lead us to leads 3 that would lead us to the killer. 4 Q. (By Mr. Hoffman) So would it be 5 fair to say that the purpose of the book was to 6 do something other than just simply tell the 7 truth about the case, that there was -- that you 8 were trying to assist the investigation in some 9 way by including certain information in the book, 10 such as the profile of the murderer? 11 A. The reason that I wrote the book is 12 so that there is in one place, in black and 13 white, an accurate account of what happened. 14 I mean, when I was writing it, I was 15 thinking of my children and my grandchildren. 16 There are so many stories out there that are 17 false and misleading and untrue, I wanted -- you 18 know, I was thinking of this as a historical 19 document to give to my children. 20 Q. Could you explain, to the best that 21 you remember, the process by which you wrote the 22 book? I mean, did you sit down with a pen and 23 pad or did you use a Dictaphone? How was the 24 book written, given that both you and John are 25 listed as authors, the actual writing process? Page 18 1 MR. WOOD: I object to the form of 2 the question. 3 You may answer the question, if you 4 understand it. 5 The problem is you kind of sometimes 6 ask two or three questions within one. 7 MR. HOFFMAN: I understand. 8 MR. WOOD: I want her to be clear on 9 exactly what the question is. I think, correct 10 me if I am wrong, I think he is trying to find 11 out whether you actually physically typed on a 12 computer, dictated into a tape, made handwritten 13 notes. 14 Is that what you are asking? 15 MR. HOFFMAN: Exactly. 16 MR. WOOD: Do you understand that? 17 THE WITNESS: I think we did some of 18 all of that. 19 Q. (By Mr. Hoffman) Did you and Mr. 20 Ramsey sit physically together and write the book, 21 or did you write it in separate, you know, 22 environments, meaning you are in one part of the 23 house and he is in another part? Did you 24 compose it that way? 25 A. Some of all of that. We were living Page 19 1 in an apartment at the time, so it was a small 2 living space. So we were -- 3 Q. At some point, I believe there was -- 4 well, I will withdraw that question. 5 Did anyone else assist you in writing 6 the book? 7 A. We had an editor that was provided by 8 the publisher and a ghost writer, if you want to 9 call it that, who helped us with some of the 10 structure and organization. 11 Q. Who is the ghost writer? 12 A. I think his name is in the book 13 there somewhere. Let's see. Oh, Robert Wise, 14 Reverend Robert Wise. 15 Q. When you looked at the final 16 manuscript of the book, was it very different 17 from what you had originally prepared and given 18 to Mr. Wise, or Reverend Wise? 19 MR. WOOD: Are you assuming they 20 prepared a manuscript and gave to it Wise and 21 then got back a manuscript? 22 MR. HOFFMAN: At some point, I am 23 assuming that their work product was turned into 24 a manuscript of some sort and that Mr. Wise 25 worked with it in some way. Page 20 1 MR. WOOD: Well, I am not sure that 2 is right. It may have been given to him 3 piecemeal, Darnay. I think you need to figure 4 that out first. 5 Q. (By Mr. Hoffman) I will withdraw 6 that question and ask you very simply, explain 7 exactly how you worked with Reverend Wise on 8 writing the book. 9 A. Well, he would sit, and we would 10 talk. I had some things that I had written, and 11 sometimes he would ask questions about things. 12 It was kind of a back and forth. Sometimes he 13 would take something I had written and edit, and 14 then would -- I mean, it was kind of an evolving 15 process. 16 Q. Did he use a tape recorder to tape 17 any of the things you were saying? 18 A. I believe so, yes. 19 Q. Did you give him written notes to 20 look at? 21 A. I can't remember exactly. I don't -- 22 Q. Did you prepare notes for the book, 23 written notes? 24 A. Yes. Sometimes -- I mean, I had 25 some things I had written and some things we Page 21 1 just talked about. 2 Q. Did you keep copies of your notes? 3 A. No, I did not. 4 Q. Do you know what happened to your 5 notes? 6 A. They were thrown away as I finished 7 with that part of the writing. 8 Q. You threw them away? 9 A. Yes. 10 Q. Were you shown a copy of what we 11 would call the rough draft of the book before it 12 was sent to the publisher? 13 A. There were many drafts, yes, that we 14 would keep reviewing. 15 Q. Who would prepare the drafts? 16 A. A typist, I think, or the editor, 17 perhaps. She kept a main manuscript going. 18 Q. A main file? 19 A. I am not sure how she did it, but 20 she would keep it. 21 Q. Were you given an opportunity to 22 review the final manuscript before it was sent to 23 the publisher? 24 A. I believe so. I believe so. 25 Q. Do you remember reviewing? Page 22 1 A. Not specifically. I mean, there were 2 so many iterations, I can't remember exactly 3 which. 4 Q. When was the first time you had an 5 opportunity to read the book from beginning to 6 end as it was published? 7 MR. WOOD: After it was published? 8 MR. HOFFMAN: In the form in which 9 it was published. 10 MR. WOOD: Like the galleys? 11 MR. HOFFMAN: It could have been a 12 galley. I don't know at what point -- 13 THE WITNESS: You mean the hardback 14 book? 15 Q. (By Mr. Hoffman) The hardback book, 16 yes. 17 A. Probably when it was completely 18 published in March of 2000. 19 Q. Did you see anything that looked like 20 what they call galleys? 21 A. I don't think I saw galleys. 22 Q. So the first time you actually were 23 able to read the book, then, is when it appeared 24 in hard cover in the actual bound, hard-covered 25 issue? Page 23 1 A. Well, I read the manuscript. I don't 2 know if you call that the book. 3 Q. So there was a manuscript, a completed 4 manuscript that you were able to read before it 5 was sent to the printer; is that correct? 6 A. I believe so. 7 Q. Did you review it? 8 A. I believe I did. 9 Q. And did you look at portions of it 10 in terms of statements that were accurate or not 11 accurate? 12 A. Well, I primarily -- the way the book 13 is written, I speak, John speaks, I speak, John 14 speaks. And I was mainly concentrating on what I 15 had put in the book. 16 Q. Do you remember, in the book, whether 17 or not there is a theory of the crime that was 18 -- as you believed it may have been committed 19 talked about in the book, written about? 20 A. I am not sure what you mean. 21 Q. The book contains a theory of the 22 crime. Do you remember what the theory of the 23 crime was in the book? 24 MR. WOOD: Why don't you show her 25 what you are talking about in the book. Page 24 1 THE WITNESS: I mean, the whole book 2 is -- 3 MR. WOOD: There may be a number of 4 different theories that are discussed in whole or 5 in part. 6 MR. HOFFMAN: I just want to see 7 what she remembers. 8 MR. WOOD: We are not here to engage 9 in a memory contest about what is or is not in 10 the book. If you have a question about something 11 that is in the book, I think, fairly, you are 12 required to put it in front of her, give her the 13 opportunity to look at it, put it into context, 14 and then respond to your question. 15 So if there is something in the book, 16 be it theory or whatever, show her what you want 17 her to look at, and she will be glad to answer 18 your question. 19 MR. HOFFMAN: I am going to test her 20 memory right now. 21 MR. WOOD: We are not going to 22 engage in a memory contest of what is in the 23 book. 24 MR. HOFFMAN: It is not a memory 25 contest. I have a right to see what, if Page 25 1 anything, Mrs. Ramsey currently remembers about 2 the theory of the crime. 3 MR. WOOD: That is a different 4 question. You are asking her about what is in the 5 book, and she is entitled, and you know she is 6 entitled, to see what you are referencing in the 7 book, put it into context, and then answer your 8 question. 9 MR. HOFFMAN: Mrs. Ramsey, I am going 10 to withdraw the question. 11 Q. (By Mr. Hoffman) I would like you 12 to tell me what, if anything, you can remember 13 about the theory of the crime that you may have 14 developed over time. 15 A. Someone was in our home the night of 16 December 25th and murdered our daughter while we 17 slept. 18 Q. Is there anything more about that 19 theory that you remember or have developed? 20 A. Well, that is basically it. There 21 was someone who is not a member of our family in 22 our home that night, took JonBenet from her bed, 23 and murdered her. 24 Q. With respect to that theory of the 25 crime, is there anything else that you can Page 26 1 remember about it? 2 MR. WOOD: What do you mean is there 3 anything else she can remember about it? 4 MR. HOFFMAN: Remember about that 5 night as far as it leading to developing that 6 theory. 7 MR. WOOD: I am going to have to -- 8 that is a question that is either so vague or so 9 broad -- you are asking her now to say, is there 10 anything she can remember about that night that 11 would lead to her developing that theory? 12 Why don't you ask her a specific 13 question, Darnay. That is too broad and too 14 vague. 15 MR. HOFFMAN: All right. 16 Q. (By Mr. Hoffman) What is it about 17 the events of that evening and the next day that 18 has led you to this theory of the crime? 19 A. I found a ransom note. I found my 20 daughter missing from her bedroom. And several 21 hours later, our daughter was found dead in our 22 home. That is pretty clear to make one draw the 23 conclusion that someone came into our home and 24 murdered her. 25 Q. And you don't feel it was a member Page 27 1 of your own family; is that correct? 2 A. No, sir. 3 MR. WOOD: I think your answer is 4 really "yes, sir." "Is that correct" would 5 require a "yes" response, so that the record is 6 clear. 7 Don't we agree, Darnay? 8 MR. HOFFMAN: Yes, that is fine. 9 THE WITNESS: It was not a member of 10 my family. 11 Q. (By Mr. Hoffman) I am going to take 12 just a short break because I am going to go into 13 another area. I just wanted to sort of generally 14 establish it. So let's take a one- or two-minute 15 break. I know people can't hop up or whatever. 16 MR. WOOD: We don't mind moving. 17 MR. HOFFMAN: No need to. Just a 18 natural break. 19 MR. WOOD: Off the video, too? 20 MR. HOFFMAN: Yes. 21 THE VIDEOGRAPHER: We are off the 22 video record at 9:39. 23 (A recess was taken.) 24 THE VIDEOGRAPHER: We are on the 25 video record at 9:49. Page 28 1 MR. HOFFMAN: Mrs. Ramsey, Lin, I 2 want to proceed when you are ready. 3 MR. WOOD: Absolutely. Go right 4 ahead. 5 Q. (By Mr. Hoffman) Okay. Mrs. Ramsey, 6 I would like you to look at page 407 of the 7 paperback edition of your book, "the Death of 8 Innocence." I have highlighted a section I would 9 like you to read, which begins number 4 and then, 10 "The ransom note." 11 Could you read that, please, for the 12 record. 13 A. "4. The ransom note. Considered 14 earlier and throughout the book, the note was 15 written by the killer and remains an extremely 16 important clue. An adequate amount of handwriting 17 samples from the killer should conclusively tie 18 him to the long and rambling note." 19 Q. Mrs. Ramsey, do you still agree with 20 that statement? 21 A. I am not sure which statement. 22 Q. The statement you just read in your 23 book, do you still agree with it? 24 A. Well, it is my belief that whoever 25 wrote the ransom note probably had something to Page 29 1 do with her murder. Is that what you are asking 2 me? 3 Q. Yes, I am. I just want to know -- 4 I know this book was written a couple of years 5 ago, and I just want to determine whether it is 6 still your belief, that this statement is still 7 your belief, that you believe this statement to 8 be true today? 9 A. Yes, I believe that. Yes, I believe 10 that. 11 Q. Now I would like you to turn to page 12 145 of "the Death of Innocence," the paperback 13 edition of it, and I would like you to please 14 read out loud starting where it is highlighted "A 15 week and a half after the first of February." 16 If you could, read that, please. 17 A. "A week and a half after the first 18 of February, the Denver Post ran an interesting 19 observation on the handwritten ransom note that 20 Douglas had spoken about on Dateline. The paper 21 said: 'Leaving a handwritten document at the 22 scene of the crime, in most cases, is tantamount 23 to leaving one's calling card. Bradley and other 24 forensic document examiners say that it is nearly 25 impossible for a person to disguise handwriting so Page 30 1 that an expert can't link a suspect to a 2 document, such as the note found in the Ramsey 3 home. The older a person is, the more automatic 4 and difficult it becomes to conceal the clues. 5 And the longer a document is, the harder it 6 becomes to disguise one's writing.'" 7 Q. Thank you. Do you agree with that 8 statement? 9 MR. WOOD: For clarification, does she 10 agree that that is what the Denver Post said, or 11 are you asking her -- 12 MR. HOFFMAN: I am not asking her if 13 that is what the Denver Post said because they 14 are indicating in the book. 15 MR. WOOD: Right. 16 MR. HOFFMAN: I just want to know if 17 she agrees -- just because the statement is in 18 here doesn't necessarily mean she agrees with it. 19 Q. (By Mr. Hoffman) I would just like, 20 for clarification, do you agree with that 21 statement? 22 MR. WOOD: Or has any understanding 23 of who Bradley is, for example. 24 MR. HOFFMAN: I am not really 25 concerned whether she knows who Bradley is. I Page 31 1 just want to know if she agrees with the 2 statement that "leaving a handwritten document at 3 the scene of the crime in most cases is 4 tantamount to leaving one's calling card." And 5 also, the -- 6 MR. WOOD: Do them one at a time. 7 Q. (By Mr. Hoffman) Start with that. 8 Do you agree with that statement? 9 A. Well, I have been told that this is 10 the ransom note of ransom notes, the longest that 11 people have ever seen, and that it is a lot of 12 information for discovering someone's handwriting, 13 so I don't know if it "is tantamount to leaving 14 a calling card." 15 Q. I was wondering why you had put this 16 statement in this book, if you don't agree with 17 it? 18 A. I didn't say I didn't agree with it. 19 MR. WOOD: I am not sure that is her 20 statement. Again, going back, looking in context 21 to who writes this. 22 THE WITNESS: This was something that 23 was in the newspaper. 24 Q. (By Mr. Hoffman) I know, but it was 25 included in the book for some purpose, and I am Page 32 1 assuming, reading it -- and I don't want to make 2 an assumption, but I can only assume reading it 3 that it is put here because you agree with the 4 basic premise of the article, or at least the 5 basic premise of the section that is excerpted 6 for this. 7 MR. WOOD: What is the question? 8 MR. HOFFMAN: I just want to know if 9 she agrees with the first sentence, "Leaving a 10 handwriting document at the scene of the crime in 11 most cases is tantamount to leaving one's calling 12 card." 13 Q. (By Mr. Hoffman) Do you agree with 14 that statement? 15 MR. WOOD: With all due respect, I 16 think she has given you an answer to that exact 17 question. 18 MR. HOFFMAN: I wasn't certain that 19 she had. 20 MR. WOOD: Let me make sure. I 21 don't want you to not get an answer. 22 MR. HOFFMAN: I mean, it would be 23 consistent with the earlier statement on page 407 24 about "an extremely important clue." 25 MR. WOOD: I thought she did answer Page 33 1 that. She said: "I had been told that this is 2 the ransom note of ransom notes, the longest that 3 people have seen, that it is a lot of information 4 for discovering someone's handwriting, so I don't 5 know if it is tantamount to leaving a calling 6 card." I mean, that is what she said. 7 MR. HOFFMAN: Well, if she could say 8 yes or no, it would be very helpful. 9 MR. WOOD: That would be, but it 10 would only be if it were the only answer she 11 could give. I think she is entitled to give you 12 her full answer, including an explanation. 13 I think she told you she doesn't 14 disagree with it, but the use of the phrase 15 "leaving a calling card" she is not in the 16 position to comment on. 17 THE WITNESS: A calling card would 18 have been better because it would have had the 19 person's name, address, and phone number. 20 Q. (By Mr. Hoffman) I was curious as 21 to why this had been put in the book, if you 22 remember. Do you know why this statement was 23 included in the book, the one you just read, 24 "Leaving a handwritten document at the scene of a 25 crime"? Page 34 1 A. Well, I don't remember exactly. It 2 has been a couple of years. 3 Q. If you remember. 4 A. Well, I don't remember exactly why we 5 put it in here. I believe this is a section 6 that John wrote, so you might want to ask him 7 that. 8 Q. Were you ever asked to give 9 handwriting exemplars at any time by anyone after 10 your daughter's death? 11 A. Yes, I was. 12 Q. Can you tell me who asked you to do 13 that, not violating any attorney-client privilege? 14 A. The Boulder Police Department. 15 Q. Did anyone else ask you to give 16 handwriting exemplars besides the Boulder Police 17 Department? 18 A. I gave several of them. I believe 19 it all had to do with the Boulder Police 20 Department. Whether it was the CBI or -- 21 Q. But nobody other than law enforcement 22 asked you to give them handwriting exemplars; is 23 that true? 24 A. I don't remember anyone else asking 25 me. Page 35 1 Q. I just want to clarify. Do you 2 remember how many times you were asked to give 3 handwriting exemplars by the law enforcement 4 people, authorities? And I am assuming it is in 5 Colorado. 6 A. Yes. I -- five or six, I think. 7 Something like that. 8 Q. In the back of the book, Appendix A, 9 page 428 -- actually, you can identify it as 429. 10 It doesn't have 428 in the upper left-hand 11 corner. It is called "A Chronicle of Cooperation." 12 The paragraph that is second from the bottom, 13 there is an indication when handwriting samples 14 were given by John, and there are dates, and then 15 Patsy, and there are dates, and then Burke, and 16 there are dates. 17 Would you just review that and see if 18 that refreshes your recollection with respect to 19 the dates? Are those dates accurate or 20 substantially accurate, if you can remember? 21 A. I am sure they probably are. 22 Q. And I am counting them. There is a 23 date "December 28, January 4, February 28, April 24 12, and May 20." That is one, two, three, four 25 -- it looks like five. Page 36 1 Is that what you remember -- 2 A. That seems to be fairly -- 3 Q. -- as to the number of times? 4 A. -- fairly accurate, yes. 5 Q. Were you ever given an explanation by 6 law enforcement authorities as to why they were 7 asking you to come in so many times to give 8 exemplars, why they needed you to give exemplars 9 over a period of five different dates? 10 A. I don't remember them really saying 11 why they needed more. 12 Q. Did anyone else, without telling me 13 what was actually said, give you a reason as to 14 why you were being asked for so many exemplars? 15 MR. WOOD: And here you are not to 16 give him, nor is he asking you to give him any 17 information about any discussion you had between 18 yourself and your attorneys, if there was any 19 such discussion. He is not entitled to know 20 that, and he is not asking you about that. 21 Q. (By Mr. Hoffman) Was there anybody 22 else? 23 For instance, maybe Lou Smit may have 24 asked you, maybe somebody from Alex Hunter's 25 office might have asked you or told you or Page 37 1 whatever, something that is not a privileged 2 communication between you and your attorneys, if 3 you remember. 4 A. No. Just every time they asked me 5 to do it, I willingly gave it. 6 Q. Now I am going to ask you about your 7 reaction to it. Were you surprised that you were 8 asked for so many exemplars, to come back five 9 times, in fact? Were you surprised by that? 10 A. Somewhat, yes. 11 Q. Were you concerned about that? 12 A. I was not concerned, particularly. 13 Q. Do you know if anybody at any time 14 expressed an opinion as to whether you were the 15 author of the ransom note while you were doing 16 this? 17 A. During the handwriting exemplar 18 process? 19 Q. Yes. When you were being asked to 20 give handwriting exemplars, did anybody in law 21 enforcement express the opinion that they thought 22 you were the ransom note writer? 23 A. I don't recall them ever saying that. 24 Q. Do you know whether or not anybody 25 ever expressed the opinion in front of you that Page 38 1 John was the ransom note writer? 2 A. I never heard anyone say that. 3 Q. Now, what I am going to do is I need 4 some -- we are going to go through a little 5 housekeeping. I am sorry. I just have to do 6 this for purposes of laying foundations. 7 MR. HOFFMAN: I am going to ask you 8 to mark these as exhibits. 9 And, Lin, I am going to give you a 10 copy. 11 MR. WOOD: Okay. 12 MR. HOFFMAN: This is for 13 identification purposes. 14 Lin, if you want to look at that. 15 MR. WOOD: Is there a way to relate 16 this to the exhibits that we have -- 17 MR. HOFFMAN: What I am going to do 18 is, basically, I would like to show these to Mrs. 19 Ramsey at this time and ask her in a foundational 20 way, one, whether she recognizes what she is 21 being shown, can she identify it, and can she 22 identify the handwriting. 23 MR. WOOD: Are these the exhibits 24 that are attached to the first set of -- 25 MR. HOFFMAN: Uh-huh (affirmative). Page 39 1 MR. WOOD: Do you have them by 2 exhibit number so I can correlate? 3 MR. HOFFMAN: No, I don't. Right 4 now I am doing it in a particular order, which 5 doesn't relate to that. Whether these are 6 ultimately used or not is another matter, 7 but right now I would like to mark this as 8 Exhibit 1. 9 (Plaintiff's Exhibit-1 was marked for 10 identification.) 11 Q. (By Mr. Hoffman) Mrs. Ramsey, I am 12 going to show you a document that has been marked 13 Plaintiff's Exhibit 1 for identification. I would 14 like you to look at it and take your time. I 15 am going to ask you if you recognize the 16 photograph. 17 MR. WOOD: Let me just say this for 18 the record, Darnay. I think you have given her 19 an enlarged copy of what was possibly one of the 20 exhibits to one of the reports that you filed 21 early in the case with respect to your mandatory 22 responses. And I think she has answered in 23 request for admissions to her best ability whether 24 she could decipher from those copies whether she 25 was the author of the handwriting. Page 40 1 To the extent that you are giving her 2 the same exhibits but in a different form, either 3 larger or in color versus black and white, et 4 cetera, I just want to make sure that, if there 5 is any confusion down the road between her 6 ability to try to decipher it now and what she 7 looked at then, that that might be the 8 explanation. 9 So that is why I had asked if you 10 wanted to present her with the actual exhibits; 11 that would, I think, help us be able to look at 12 the same thing. 13 MR. HOFFMAN: I basically want her to 14 be able to see what it is. I am looking for 15 content, not -- 16 MR. WOOD: Not comparison with other 17 copies of those from other sources. 18 MR. HOFFMAN: I want her to indicate 19 whether she recognizes the photograph. 20 MR. WOOD: That is fair. 21 THE WITNESS: I think I have seen 22 this photograph before. 23 Q. (By Mr. Hoffman) Can you identify, 24 without naming anybody in the photograph, can you 25 identify any of the individuals in the photograph? Page 41 1 A. Just JonBenet. 2 Q. I would like you to now look at the 3 handwriting below the photograph. Do you 4 recognize the handwriting? 5 A. Not particularly. 6 Q. You say "not particularly." You don't 7 recognize this as being your handwriting; is that 8 correct? 9 A. I don't remember writing it. Is that 10 what you mean? I mean, I don't know. I may 11 have, but -- 12 Q. Do you recognize the handwriting as 13 being your handwriting? 14 A. No. 15 Q. Okay. Now we are going to go to 16 another exhibit. 17 (Plaintiff's Exhibit-2 was marked for 18 identification.) 19 Q. (By Mr. Hoffman) Mrs. Ramsey, I 20 would like you to examine a document I have given 21 you that has been labeled Plaintiff's Exhibit 2 22 for identification and ask you if you recognize 23 any of the photographs in the document. 24 A. Yes. 25 Q. I am going to ask you if you Page 42 1 recognize any of the handwriting in the document. 2 A. Recognize it as mine or someone else's 3 or just -- 4 Q. I will go to the next question. Do 5 you recognize any of the handwriting as being 6 your handwriting? 7 A. Not particularly. 8 Q. So you couldn't say, with any degree 9 of certainty, that that was your handwriting? 10 A. No. 11 Q. Thank you. 12 MR. HOFFMAN: Lin, I don't know what 13 you are doing with those. 14 MR. WOOD: You took the last one 15 back. 16 MR. HOFFMAN: Fine. Sorry about 17 this. This is one of the more boring parts of 18 depositions. 19 (Plaintiff's Exhibit-3 was marked for 20 identification.) 21 Q. (By Mr. Hoffman) Now, Mrs. Ramsey, I 22 am going to ask you to look at Plaintiff's 23 Exhibit 3 marked for identification and ask you 24 whether or not you recognize this document. 25 A. Yes, I do. Page 43 1 Q. What do you recognize it to be? 2 A. An entry form for the Boulder 3 Christmas parade. 4 Q. Have you ever seen this entry form 5 before today? 6 A. Yes. 7 Q. Could you tell me when you have seen 8 it, if you remember? 9 A. Well, I obviously saw it to fill it 10 out. 11 Q. Okay. That was my next question. 12 Do you recognize the handwriting in this entry 13 form? 14 A. Yes, I do. 15 Q. Can you tell me whose handwriting you 16 recognize it to be? 17 A. My handwriting. 18 Q. So all of the handwriting on both 19 pages is your handwriting; is that correct? I 20 mean, no one else -- 21 A. Well, this on the second page is 22 pretty blurry, but I believe it is mine. 23 Q. So nobody at this event filled in 24 part of it for you? 25 A. No. Page 44 1 Q. You filled this in completely 2 yourself; is that correct? 3 A. Yes, I did. 4 Q. Now I am going to show you another 5 document which I am going to have the reporter 6 mark as Plaintiff's Exhibit 4 for identification. 7 (Plaintiff's Exhibit-4 was marked for 8 identification.) 9 Q. (By Mr. Hoffman) Now, Mrs. Ramsey, I 10 am going to ask you to look at a document that 11 I handed you which has been marked Plaintiff's 12 Exhibit 4 for identification. I am going to ask 13 you whether or not you recognize this document. 14 A. No, I don't. 15 Q. I am going to ask you if you 16 recognize the handwriting on the document. 17 A. I recognize my signature. 18 Q. Do you recognize any other written 19 part of the document as being your handwriting? 20 A. It looks similar, but I can't say for 21 sure. 22 Q. So are you uncertain as to whether 23 the additional handwriting is yours or not, 24 outside of the signature? 25 A. I am uncertain. Page 45 1 Q. Okay. Thank you. 2 MR. HOFFMAN: I am going to ask the 3 reporter to mark this as Plaintiff's Exhibit 5 4 for identification. 5 (Plaintiff's Exhibit-5 was marked for 6 identification.) 7 Q. (By Mr. Hoffman) Now, Mrs. Ramsey, I 8 am going to ask you to look at a document which 9 has been labeled Plaintiff's Exhibit 5 for 10 identification. And I am going to ask you 11 whether or not you recognize it. 12 A. Yes, I do. 13 Q. What do you recognize it to be? 14 A. It looks like a greeting written on 15 the inside of a Christmas card. 16 Q. Do you remember writing a Christmas 17 card like this? 18 A. Yes. 19 Q. I am going to ask you whether or not 20 you can identify the handwriting. 21 A. Yes, I can. 22 Q. Can you tell me whose handwriting you 23 believe it to be? 24 A. Mine. 25 Q. Thank you very much. Page 46 1 MR. HOFFMAN: I am going to ask the 2 reporter to please mark this document Plaintiff's 3 Exhibit 6 for identification. It is two pages, I 4 believe. 5 (Plaintiff's Exhibit-6 was marked for 6 identification.) 7 Q. (By Mr. Hoffman) I am going to ask 8 you, Mrs. Ramsey, whether or not you can identify 9 the document that I have handed you, which is 10 marked Plaintiff's Exhibit 6 for identification. 11 A. Yes. 12 Q. Can you tell me what the document is? 13 A. It is a handwritten note. 14 Q. Can you identify the handwriting? 15 A. Yes. It is my handwriting. 16 Q. Thank you very much. 17 MR. HOFFMAN: Now I am going to ask 18 the reporter to please mark this as Plaintiff's 19 Exhibit 7 for identification. 20 (Plaintiff's Exhibit-7 was marked for 21 identification.) 22 Q. (By Mr. Hoffman) Mrs. Ramsey, I 23 would like to know if you could identify the 24 document or, actually, the image or figure on 25 Plaintiff's Exhibit 7 marked for identification. Page 47 1 A. No, I can't. 2 Q. I am going to ask you to look at the 3 handwriting and tell me if you can recognize the 4 handwriting. 5 A. This is such a bad copy. Do you 6 have the original? 7 Q. No, I don't. If you can't recognize 8 the handwriting, you simply say you cannot. 9 A. I cannot. 10 Q. Thank you very much. 11 MR. HOFFMAN: I am going to ask the 12 court reporter to mark this document Plaintiff's 13 Exhibit 8 for identification. 14 (Plaintiff's Exhibit-8 was marked for 15 identification.) 16 Q. (By Mr. Hoffman) I am going to 17 direct Mrs. Ramsey's attention to the writing that 18 looks like it is on a box that says "Ramsey 19 Xmas" and also, it looks like, some writing on 20 the lower right-hand side which just says 21 "Ramsey." 22 I am going to ask you to look at 23 that carefully, and I am going to ask her, first 24 of all, if she can identify to the best of her 25 ability what is in this photograph. Page 48 1 A. It looks like pictures of boxes taken 2 through a window pane. 3 Q. Now, I am going to ask you if you 4 can recognize any of the handwriting. 5 A. This lower one may be mine, but I am 6 not sure. 7 Q. And the upper left, which says, 8 "Ramsey Xmas"? 9 A. I don't know. 10 Q. So you don't recognize it as being 11 your handwriting? 12 A. Not specifically, no. 13 Q. Thank you. Coming to the end. 14 MR. HOFFMAN: I would like the 15 reporter to mark that as Plaintiff's Exhibit 9 16 for identification. 17 (Plaintiff's Exhibit-9 was marked for 18 identification.) 19 Q. (By Mr. Hoffman) Mrs. Ramsey, I am 20 going to ask you -- I am not going to even try 21 to ask you what you are looking at. I am going 22 to ask you if you can see any of the handwriting 23 in this document. 24 MR. WOOD: Is that an admission that 25 nobody can even determine what the object is? Page 49 1 MR. HOFFMAN: Well, the objects would 2 be subject -- one looks like a box on the lower 3 part, but I am not going to ask Mrs. Ramsey to 4 determine it. I am going to ask Mrs. Ramsey if 5 she can make out the handwriting. And if she 6 can, can she, with any degree of certainty, tell 7 me if she recognizes any of the handwriting. 8 THE WITNESS: It is pretty hard to 9 tell. 10 Q. (By Mr. Hoffman) You can simply say 11 no or you are not certain. 12 A. No. 13 Q. All right. Thank you. 14 A. If I can see the original, maybe. 15 Q. I understand, but based on this 16 document, you are not able to determine? 17 A. No. 18 Q. Thank you very much. 19 MR. HOFFMAN: I am going to ask the 20 reporter to mark this as Plaintiff's Exhibit 10 21 for identification. 22 (Plaintiff's Exhibit-10 was marked for 23 identification.) 24 Q. (By Mr. Hoffman) Mrs. Ramsey, what I 25 am showing you is a series of letters. I am Page 50 1 not identifying their source. I am just simply 2 showing you a series of letters. I would like 3 you to look at them carefully. 4 Again, this is Plaintiff's Exhibit 10 5 for identification. 6 Can you, without knowing the source or 7 where these letters are from, identify any of 8 them? 9 A. No, sir. 10 Q. Now, I would like you to also look 11 at the letters and ask me if you see any 12 similarities in the way in which these letters 13 are written. And we will just start from the 14 bottom. Looking at the B. 15 A. Ask you if I see any similarities? 16 Q. No. I am going to ask you to 17 comment on whether you see any similarities in 18 the handwriting. 19 MR. WOOD: Let me just ask you, 20 Darnay, Patsy Ramsey is not a questioned document 21 examiner. 22 MR. HOFFMAN: I just want her 23 personal observation. 24 MR. WOOD: We don't know what 25 alterations have been done to these documents. I Page 51 1 know where these documents came from. They came 2 from one of your experts. 3 MR. HOFFMAN: I would prefer you 4 don't identify the source -- 5 MR. WOOD: Why not? She is entitled 6 to be -- 7 MR. HOFFMAN: -- for the purpose of 8 this. 9 MR. WOOD: We are not here to play 10 games. 11 MR. HOFFMAN: No, no. 12 MR. WOOD: Let me finish, Darnay. 13 MR. HOFFMAN: Mr. Wood -- 14 MR. WOOD: Let me finish, please. 15 MR. HOFFMAN: Mr. Wood, you can't 16 have a standing objection where you basically 17 counsel, give information to your client in your 18 objection, which is what you are doing right now. 19 I would like you to stop it. 20 MR. WOOD: Darnay. 21 MR. HOFFMAN: I have a right to show 22 her a document. For all you know, I am trying 23 to test her perception. You don't know what I 24 am doing in this. 25 MR. WOOD: Her perception -- Page 52 1 MR. HOFFMAN: I am not saying that 2 this means anything. I am asking her to look at 3 these letters, ask her if she recognizes any of 4 them, and then after doing that, asking her if 5 she can perceive any similarities in these 6 letters. That is all. Just as a lay person, 7 her personal observation. And I have a right to 8 do that. And I am going to ask her to do it. 9 MR. WOOD: I am not -- 10 MR. HOFFMAN: I don't have to 11 identify the source. This could be an eye chart, 12 for all you know. 13 MR. WOOD: Darnay -- 14 MR. HOFFMAN: For all you know, I am 15 testing her perception. 16 MR. WOOD: Darnay, it is not an eye 17 chart. It is a document that you -- 18 MR. HOFFMAN: No, it is not. Don't 19 identify the document, Mr. Wood. 20 MR. WOOD: Are you going to let me 21 finish, Darnay? 22 MR. HOFFMAN: Not if you are going 23 to identify -- 24 MR. WOOD: Let's take a break. 25 MR. HOFFMAN: Not if you are going Page 53 1 to have a standing objection. 2 MR. WOOD: We are going to take a 3 break now, and then I'll come back. And when I 4 get a chance to make my statement on the record 5 to perfect the record, we will start again. But 6 if are you not going to give me that fundamental 7 right, then we are not going to start again, 8 Darnay. Do you understand me? Because you are 9 not the judge. 10 MR. HOFFMAN: If you want to stop 11 the deposition -- 12 MR. WOOD: Let me finish. 13 MR. HOFFMAN: If you want to stop 14 the -- 15 MR. WOOD: If you don't stop 16 interrupting me, we are going to have to stop. 17 MR. HOFFMAN: I have to interrupt you 18 if you are, in fact, going to give your client 19 information that you are not supposed to give 20 your client while I am asking her a specific 21 question, which is what you are trying to do 22 right now, at least in my opinion. 23 MR. WOOD: No, I am not. 24 MR. HOFFMAN: Yes, you are. 25 MR. WOOD: You don't know what I am Page 54 1 trying to do, because you won't let me do it. 2 MR. HOFFMAN: You are trying to 3 identify the source of this, and I don't want you 4 to do that for the purposes of this question. 5 MR. WOOD: We are going to take a 6 break now, and when I have the ability to make 7 my record without interruption and instruction 8 from you -- 9 MR. HOFFMAN: I would like you to 10 make the colloquy. 11 MR. WOOD: You are not going to stop 12 interrupting; are you? 13 MR. HOFFMAN: I am not going to 14 basically let you give your client information in 15 a standing objection. 16 MR. WOOD: Darnay, Darnay, if I make 17 a statement on the record that is inappropriate, 18 you may take that up with Judge Carnes, and Judge 19 Carnes can determine whether I have 20 inappropriately instructed my client through an 21 objection. But you are not the judge, and you 22 are not going to make that decision today. You 23 have the right to say what you want to on this 24 record. I have that right, also. 25 So when you decide that we are going Page 55 1 to play on that level playing field, let's get 2 started again. But you are not going to sit 3 here and be the judge and tell me what I am 4 going to do or not do, whether you like it or 5 agree with it or not. 6 MR. HOFFMAN: Mr. Wood -- 7 MR. WOOD: So we are now going to go 8 off the record and take a break. 9 MR. HOFFMAN: Mr. Wood, for the 10 purposes of -- before we go off the record and 11 take a break, I foresaw this as a possible 12 stumbling block or speed bump, and as a result, 13 Evan Altman was kind enough to call Judge Carnes' 14 office, and she is willing, in a phone call, to 15 make an immediate ruling on whether or not what I 16 am asking Mrs. Ramsey to do is proper and whether 17 or not your objection is proper. She is in her 18 office. She is available for an immediate 19 conference. 20 MR. WOOD: I have not been allowed 21 to make my statement. And if we want to address 22 with Judge Carnes at this point -- 23 MR. HOFFMAN: Yes. 24 MR. WOOD: Excuse me. If the issue 25 to be addressed with Judge Carnes is whether I am Page 56 1 allowed to make an objection without interruption 2 from you, then I will be happy to take that up 3 with Judge Carnes. 4 If we are going to take up an 5 objection of mine with Judge Carnes, I think I 6 fairly ought to have the right to state it on 7 the record. 8 MR. HOFFMAN: But I would like you 9 to make the statement to Judge Carnes before you 10 make a statement in front of your client on the 11 record basically notifying your client of 12 precisely what it is that I am doing with respect 13 to this, which I don't want you to do. 14 MR. WOOD: I don't know what you are 15 doing with this. I am not trying to make a 16 representation of that. 17 MR. HOFFMAN: Let's talk to Judge 18 Carnes. Because we went through enough trouble 19 to establish, to call her office yesterday and 20 see if she was available for a conference, 21 because I foresaw this problem precisely coming 22 up. 23 MR. WOOD: I yet to understand what 24 you want to take up with Judge Carnes. 25 MR. HOFFMAN: Let's call her. I Page 57 1 will tell her. Quite frankly, I am going to ask 2 her whether or not -- I am going to have you 3 state your objection that you are going to give 4 on the record to her on the phone, and we are 5 going to find out whether or not she thinks it 6 is proper for you to make that objection. 7 And then if she rules it is proper 8 to make it in that form, you can make it in 9 that form. 10 MR. WOOD: So you want me to state 11 my objection for the first time on the phone with 12 Judge Carnes? 13 MR. HOFFMAN: That is correct. 14 MR. WOOD: So you are going to call 15 Judge Carnes -- excuse me. 16 You are going to call Judge Carnes to 17 address with her an objection that you think is 18 inappropriate that I haven't even been allowed to 19 make yet? 20 MR. HOFFMAN: No. You started to 21 make it, and it was clear from your making it 22 what you were trying to do, which is basically 23 make the equivalent of a standing -- you were 24 trying to give your client information improperly 25 in order to influence her answer. Page 58 1 MR. WOOD: That is just pure bunk, 2 Darnay. 3 MR. HOFFMAN: Sorry, but that is what 4 I see it to be. That is why we have Judge 5 Carnes waiting by the phone for us. 6 MR. WOOD: If you have an issue to 7 take up with Judge Carnes, you have a right to 8 do whatever you want to do. I don't have an 9 issue with Judge Carnes yet. 10 MR. HOFFMAN: Well, you may have it 11 if you don't get on the phone with us and talk 12 to her. 13 MR. WOOD: I am going to participate. 14 I am not going to allow you to ex parte a 15 conversation with Judge Carnes. 16 MR. HOFFMAN: No judge would allow an 17 ex parte communication. You know better than 18 that. 19 MR. WOOD: Why don't we define, so 20 we can read the record to her, exactly what the 21 controversy is at the moment because I still 22 don't understand it because I haven't been allowed 23 to state an objection. I might not even have an 24 objection. 25 MR. HOFFMAN: Well, in fact, I would Page 59 1 like you to read back what you were about to 2 state as an objection, in fact. 3 MR. WOOD: Okay. I started off and 4 said -- you said, the question to Ms. Ramsey: 5 "I am going to ask you to comment on 6 whether you see any similarities in the 7 handwriting, and that is on this Exhibit 10, 8 without identifying it for her." 9 And I said: "Let me just ask you, 10 Darnay, Patsy Ramsey is not a questioned document 11 examiner. 12 "Mr. Hoffman: I just want her 13 personal observation. 14 "Mr. Wood: We don't know what 15 alterations have been done to these documents. I 16 know where these documents came from. They came 17 from one of your excerpts. 18 "Mr. Hoffman:" -- 19 MR. HOFFMAN: That is the point at 20 which you are starting to give her information. 21 MR. WOOD: Excuse me. 22 "Mr. Hoffman: I would prefer you 23 don't identify the source. 24 "Mr. Wood: Why not? She is 25 entitled to," and then you interrupted, and I Page 60 1 don't think we ever got any further. 2 MR. HOFFMAN: This is the area 3 that -- 4 MR. WOOD: So the question is whether 5 or not, when you give her a document, is she 6 entitled to know the source of the document 7 before she answers questions about it -- 8 MR. HOFFMAN: No. 9 MR. WOOD: -- let's put that issue 10 before Judge Carnes. 11 MR. HOFFMAN: Okay. Yup. 12 THE VIDEOGRAPHER: We are off the 13 video record. 14 MR. HOFFMAN: We are going to read 15 that statement. That is what I am objecting to, 16 what you are doing there. So we will read that 17 to Judge Carnes. 18 MR. WOOD: I think I understand what 19 we want to do with Judge Carnes, and that is to 20 ask her, when you question her about a document, 21 if she is entitled to know what the document is. 22 MR. HOFFMAN: No. A particular type 23 of document. Okay? Not all documents. 24 MR. WOOD: She is entitled to know 25 what the document is. Page 61 1 THE VIDEOGRAPHER: We are off the 2 video record at 10:24. 3 MR. HOFFMAN: And I would like to 4 have this colloquy with the judge so that we 5 don't, basically, just sort of undermine the whole 6 purpose of this, which is to keep you from giving 7 information to your client. If your client is 8 present during this colloquy, it defeats the whole 9 purpose. Okay. 10 MR. WOOD: Darnay, I don't know what 11 you are up to, and the game here -- 12 MR. HOFFMAN: It is not a game, Mr. 13 Wood. 14 MR. WOOD: It is not a game. I 15 think if you put a document in front of my 16 client, she is entitled to know what -- 17 MR. HOFFMAN: This is what the 18 document is. It is a series of letters. Any 19 person can see what this is. 20 MR. WOOD: It is a series of letters 21 that is -- 22 MR. HOFFMAN: That is all. I asked 23 her to look at it, asked her if she recognized 24 any of it, and then I asked her if she could 25 make any comment on whether she recognizes any Page 62 1 similarities in the lettering of it. 2 That is all. It is a very simple 3 thing. I don't have to identify the source or 4 anything else. 5 MR. WOOD: Let me address this issue 6 with Mr. Rawls off the record, and we will come 7 back and see if we can solve the problem in a 8 different fashion. 9 MR. HOFFMAN: Okay. 10 (A recess was taken.) 11 THE VIDEOGRAPHER: We are on the 12 video record at 10:33. 13 Q. (By Mr. Hoffman) Mrs. Ramsey, I am 14 going to show you a document that has been marked 15 Plaintiff's Exhibit 10 for identification. And I 16 would like you to look at the document. Please 17 look at it carefully. 18 What you -- this document, for the 19 record, contains eight letters that are side by 20 side vertically on the page. The letter D, what 21 looks like the letter S, what looks like letters 22 R and O, what looks like an N, what looks like 23 an O, what looks like an exclamation point, what 24 looks like a G, and what looks like a B. 25 I am going to ask you, Mrs. Ramsey, Page 63 1 if you can identify any of these letters as being 2 your handwriting. 3 A. No, sir. 4 Q. Now I am going to ask you to look at 5 these letters and tell me -- in fact, I withdraw 6 the question. 7 I would like you to look at the 8 lower letter B, what looks like could be a letter 9 B at the bottom. 10 MR. WOOD: Left or right? There is 11 a mark with some sort of funny mark over it. 12 MR. HOFFMAN: That looks like a 13 little hat. 14 Q. (By Mr. Hoffman) Those letters, for 15 the purposes of this discussion, look like they 16 might be the letter B. I am going to ask you 17 whether you see any similarity in the two 18 letters, any visual similarity, you as a lay 19 person, not as an expert, just looking at it 20 visually, do you see any similarities? 21 MR. WOOD: And if I might have my 22 objection for the record -- 23 MR. HOFFMAN: Sure, at this point 24 please. 25 MR. WOOD: -- is simply that I Page 64 1 object to the form of the question. I do not 2 believe it is appropriate to ask a lay person a 3 question that goes to what you might believe to 4 be a question document issue from an expert, 5 particularly when you have not identified the 6 source of the writings before the witness, you 7 have not identified in answer whether these 8 documents have been in any way altered, blown up, 9 enlarged, positioned differently. So I object to 10 the form of the question for those reasons. 11 You may answer the question. 12 MR. HOFFMAN: Also, for the purposes, 13 I would like to state that this answer would not 14 be used for any evidentiary purpose, realizing 15 that there is no proper foundation as to source, 16 as to how these letters came to be what they 17 are. But I will just say one thing for the 18 record, that lay people are, under Article 9 of 19 the Federal Rules of Evidence, are occasionally 20 allowed to identify handwriting as lay people. 21 Frequently, letters are shown to lay 22 people, and they are allowed to authenticate 23 handwriting to that degree, if they have 24 familiarity, which is one of the reasons why 25 I asked you if you were familiar with any of Page 65 1 the letters. 2 MR. WOOD: And I did not object when 3 you asked her whether she believed that to be her 4 handwriting. 5 MR. HOFFMAN: That is all I am 6 asking. 7 MR. WOOD: But now you are asking 8 her whether there is similarity from a lay 9 perspective, and I will accept your stipulation 10 that you will not use that answer for any 11 evidentiary purpose. 12 And with that stipulation, you may 13 answer the question. 14 Q. (By Mr. Hoffman) I would like you 15 to look at the letter B and tell me if those Bs 16 look at all similar to you. 17 A. Well, they are both lower case Bs. 18 Q. Is there anything about the Bs that 19 to you looks similar beside the fact they are 20 lower case? The way they are drawn? 21 A. No, not particularly. 22 Q. I am going to ask you to look above 23 the letter that we identified as being B at what 24 looks like it could be a G. I am going to ask 25 you to look at the G. I am going to ask you Page 66 1 whether you see any similarities between the Gs 2 and what those similarities are. 3 MR. WOOD: Same stipulation? 4 MR. HOFFMAN: Same stipulation. 5 THE WITNESS: Well, they are both 6 lower case G. They are both more of the same 7 size than the Bs are. 8 Q. (By Mr. Hoffman) Is there anything 9 -- what about the way in which what looks like 10 could be described as a tail with the G, is 11 there any similarity with respect to that? 12 A. It swings to the left. 13 Q. Do they look similar, the tails to 14 the G? 15 A. Somewhat. I mean, a G, you make a G 16 with the tail to the left. Is that what you 17 mean? 18 Q. Those look similar, like similar 19 tails? 20 MR. WOOD: You are talking about -- 21 well, again, I think she answered your question. 22 THE WITNESS: One is squiggly, and 23 one is smoother. But, I mean, it depends on how 24 many things you want to -- 25 Q. (By Mr. Hoffman) Just looking for Page 67 1 whatever points of similarity that you, as a lay 2 person -- 3 A. I would say they are both similar in 4 size. 5 MR. WOOD: Or dissimilar, in fairness. 6 MR. HOFFMAN: Or dissimilar. 7 Q. (By Mr. Hoffman) You can make 8 whatever visual observations you want about it. 9 I simply want your reaction. 10 A. The one on the right is more shaky, 11 it looks like. 12 Q. What about the one on the left? 13 A. It is not as shaky. And the one on 14 the right has a little swoop up on the tail, and 15 the one on the left does not. 16 The one on the left has a thicker 17 circle for the part of the G than the one on 18 the right. 19 Q. Now I am going to ask you to -- 20 before I -- withdraw that question. 21 Do you have any other observations, 22 similarities or dissimilarities, that you would 23 like to express? 24 A. No. 25 Q. I am going to ask you to look to Page 68 1 what looks like exclamation points, and I am 2 going to ask you if you see any points of 3 similarity or dissimilarity. 4 MR. WOOD: Same stipulation? 5 MR. HOFFMAN: Same stipulation. 6 MR. WOOD: Thank you. 7 THE WITNESS: One is thick. One is 8 thin. One has a bigger dot than the other. 9 That is fat. That is little. 10 Q. (By Mr. Hoffman) Anything about the 11 slope or angle or anything else that is similar 12 or dissimilar? 13 A. I don't know what "slope or angle" 14 means. 15 Q. The way in which it is going up and 16 down. 17 A. Well, that is how you make an 18 exclamation point is straight down with a dot 19 under it. 20 Q. Do they look similar or dissimilar 21 with respect to how vertical they are? 22 A. Well, the one on the left is 23 squigglier and leans at the top a little bit. 24 Q. Any other similarities or 25 dissimilarities, before I move to the next one? Page 69 1 A. I don't think they look alike. 2 Q. The next object or letters look like 3 they might be Os, the letter O. Or they could 4 be a zero from a number. But in any case, a 5 zero or an O. 6 MR. WOOD: Or it could be even an 7 attempt to make a Q. 8 MR. HOFFMAN: Could be. 9 Q. (By Mr. Hoffman) But you can 10 identify it any way you would like, Mrs. Ramsey. 11 And please point out any similarities or 12 dissimilarities that you see. 13 MR. HOFFMAN: And, Mr. Wood, the same 14 stipulation. 15 MR. WOOD: Same stipulation. Thank 16 you. 17 THE WITNESS: I don't think they look 18 a thing alike. 19 Q. (By Mr. Hoffman) So you would say 20 they are just dissimilar. Would you point out 21 their dissimilarities? 22 A. The dissimilarities? 23 Q. Yes. The dissimilarities. 24 A. One is large. One is small. One is 25 really heavy and feathered, kind of, and one is Page 70 1 smoother. 2 Q. Any other similarities or 3 dissimilarities before I move on that you would 4 like to make? 5 A. They both have an opening in the 6 middle. 7 Q. All right. The hole in the doughnut? 8 A. Yes. 9 Q. I would like you to look up to the 10 next letter. Now, that can be an N. That 11 could be a truncated R. It is hard to say. I 12 would like you to look at that and just tell me 13 what similarities or dissimilarities you see 14 between the two. 15 MR. WOOD: It could be an N, too. 16 THE WITNESS: It could be a pi. 17 MR. HOFFMAN: Could be. For all we 18 know, it is a little horse or something that is 19 truncated, or poodle, actually. 20 THE WITNESS: A poodle? 21 MR. HOFFMAN: One of those show 22 poodles. 23 MR. WOOD: I am not seeing the 24 poodle here, Darnay. 25 THE WITNESS: This is a psych test. Page 71 1 MR. HOFFMAN: Rorschach for attorneys. 2 Q. (By Mr. Hoffman) If you could, look 3 at that, those two letters. 4 MR. HOFFMAN: With the same -- Lin, 5 what is it, the same stip? 6 MR. WOOD: Same stipulation. 7 THE WITNESS: One is shorter than the 8 other one. The one on the right is shorter than 9 the one on the left. The one on the left has 10 like a little triangle thing over the top of it. 11 Q. (By Mr. Hoffman) I want to draw 12 your attention to the fact that they seem to 13 merge. There seems to be -- whatever it is, it 14 seems like one thing is running into another, or 15 there is something hanging off of it. It is an 16 awkward looking letter. It could be an R and an 17 O. It could be any other number of 18 configurations. 19 A. Which one are we looking at? Are 20 you looking at this one? 21 Q. Oh, no. I am sorry. Are we still 22 at the poodle? I thought we were going to 23 move on after the poodle. 24 MR. WOOD: I thought we were still 25 at the poodle. Page 72 1 THE WITNESS: I never saw a poodle, 2 for the record. 3 MR. WOOD: Neither did I. That is 4 why I am staying there. 5 MR. HOFFMAN: Not going to go there; 6 right? 7 THE WITNESS: So you are at the 8 third one down now? 9 Q. (By Mr. Hoffman) Before I finish 10 that, I want to give you the opportunity, do you 11 have any other observation between similarity or 12 dissimilarity between the -- 13 A. The little pi one? 14 Q. Yeah, the little pi. 15 A. I mean pi, like a Greek letter pi, 16 pi R squared. 17 Q. Now we will move to the next 18 configuration, whatever that is. I see it as an 19 R and an O, but that is just the way I look at 20 it. I would like you to tell me what you see 21 and similarities and dissimilarities between the 22 letter. 23 MR. WOOD: Same stip? 24 MR. HOFFMAN: Same stip. 25 THE WITNESS: I just -- that doesn't Page 73 1 look like anything in the alphabet that I have 2 ever seen. I mean, it doesn't look like a 3 letter to me. 4 Q. (By Mr. Hoffman) Okay. Fair enough. 5 Any specific dissimilarities besides it 6 just doesn't look like a letter between the two 7 non -- 8 A. Well, the one on the right seems to 9 be heavier and has a little piece sticking out 10 the left side. And the one on the left has a 11 little bird over the top of it or something mark. 12 Q. All right. 13 A. It looks like they were made with 14 different weights of pencil or something. 15 Q. If you have no further observations, 16 we will move to the next letter, what looks like 17 it could be an S. 18 A. Or it looks like it could be a 5. 19 Q. It could be a 5, too. Any 20 similarities or dissimilarities between the two? 21 A. The one on the left is larger than 22 the one on the right. The one on the right 23 looks more like an S than the one on the left. 24 The one on the left is more circular, kind of, 25 on the bottom. The one on the right is -- the Page 74 1 bottom portion looks more angular. 2 MR. WOOD: We have the same stip on 3 this? 4 MR. HOFFMAN: Same stipulations. 5 Q. (By Mr. Hoffman) Any other 6 observations of either similarities or 7 dissimilarities before I move on, Mrs. Ramsey? 8 A. No. 9 Q. I will ask you to look at the top 10 and final one, what I would identify as a D, but 11 that doesn't mean it is a D. I would like you 12 to look at that and tell me what similarities or 13 dissimilarities that you see there. 14 MR. HOFFMAN: And, Lin, of course, we 15 have the same stip. 16 MR. WOOD: Thank you. 17 THE WITNESS: The left one looks like 18 an A to me, and the right one looks like a D. 19 It looks like maybe a shaky or older person might 20 have written it. Kind of squiggly. 21 This one has a higher -- the one on 22 the right has a higher stick on the side than 23 the one on the left. 24 Q. (By Mr. Hoffman) Right. 25 A. And the open space, the doughnut hole Page 75 1 is bigger on the one on the right than the left. 2 I don't think they look alike. 3 Q. Okay. Fair enough. 4 A. They look like two different letters 5 to me. 6 Q. Thank you for putting up with that 7 exercise. 8 MR. HOFFMAN: And, Mr. Wood, thank 9 you also. 10 Q. (By Mr. Hoffman) You remember earlier 11 I had you read about the handwriting from your 12 book. And I would say that maybe we both concede 13 that the handwriting is an important part of the 14 evidence in this crime. 15 MR. WOOD: She can speak for herself, 16 but we are not going to have her speaking for 17 you. Concessions are one thing. She has answered 18 your questions about that with respect to her 19 belief. 20 MR. HOFFMAN: I am just using that 21 foundationally to move on -- 22 MR. LIN: That's okay. I wanted to 23 make sure. 24 MR. HOFFMAN: -- to move on so that 25 there is no question why I am moving into a Page 76 1 particular area. 2 Q. (By Mr. Hoffman) It goes to the 3 issue of why Mr. Wolf is here in this lawsuit 4 with respect to some elements of it, why in the 5 complaint there is what may appear to you to be 6 an extremely unfair accusation or representation 7 of you as author of the ransom note, as the 8 person who killed her daughter, or whatever. 9 And a lot of this is to try and 10 determine the degree to which the handwriting 11 experts that Mr. Wolf is using in this case can 12 accurately determine whether you are, in fact, the 13 author of the ransom note or not, which is part 14 of why we have been doing this. 15 I just want to show you something 16 that is -- I just want you to look at it. It, 17 again, is why, so to speak, why -- 18 I would like you to mark this as 19 Plaintiff's Exhibit 11. I am going to show this. 20 Now, I am not making any 21 representations in this document as to whether, in 22 fact, its submission means anything other than 23 this was prepared by two handwriting experts. 24 This document is not being submitted to prove the 25 truth of anything in the document. Page 77 1 So if you could, mark that. 2 Lin, we will stipulate to that effect. 3 Would you mark this document, please, 4 as Plaintiff's Exhibit 11. 5 (Plaintiff's Exhibit-11 was marked for 6 identification.) 7 Q. (By Mr. Hoffman) Now, Mrs. Ramsey, I 8 am going to tell you that that document, along 9 with reports, handwriting reports, were prepared 10 by document examiners Cina Wong and David Leadman. 11 And other handwriting was prepared -- other 12 handwriting was used in the form of the police 13 exemplars that were given to my office by Mr. 14 Wood pursuant to discovery requests. 15 And those documents are, without a 16 doubt, your handwriting because they were 17 identified by Mr. Wood as being the handwriting 18 exemplars that you personally gave to law 19 enforcement in Colorado at their request during 20 that five-day period. 21 Now, the problem for Mr. Wolf in this 22 case is the fact that not one of the experts -- 23 Cina Wong, David Leadman, an expert known as 24 Gideon Epstein, Larry F. Siegler, and an expert 25 known as Don Lacey have all identified you as the Page 78 1 ransom note writer. It is not a close call, as 2 far as they are concerned. They have identified 3 you. One of them, in fact, said, without doubt 4 you are the author of the ransom note. 5 So in order to be certain that they 6 are, in fact, correct in what they are looking at 7 as examples of your handwriting, I wanted you to 8 look at some of the documents that I gave you. 9 Now I want you to look at the document there and 10 see why, in fact, this, the issue of your 11 authorship, is such a problem. 12 MR. WOOD: Do you have a question? 13 MR. HOFFMAN: Yes. 14 MR. WOOD: Let's ask the question. 15 Q. (By Mr. Hoffman) Okay. Mrs. Ramsey, 16 did you write the ransom note? 17 MR. WOOD: Before you answer that, I 18 want to object to the form of the question. And 19 I want to specifically object to each and every 20 one of the prefatory comments with respect to 21 that question which started off a long time ago, 22 where you said: "-- to move on, so there was no 23 question why I am moving into a particular area." 24 "By Mr. Hoffman: It goes to the 25 issue of why Mr. Wolf is here in this lawsuit" Page 79 1 -- beginning at that point down through and 2 including everything except for your stipulation, 3 which we will accept. 4 I want to move to strike all of the 5 prefatory comments from that beginning down 6 through where you said and ended, "Now I want you 7 to look at the document there and see why, in 8 fact, this, the question of your authorship, I 9 believe, is a problem." 10 All of those are improper as to form. 11 I move to strike each and every one of them with 12 the exception of your stipulation. I also want 13 to tell you that I was very courteous in letting 14 you sit here and, in effect, lecture my client. 15 That is your one and only lecture, Mr. Hoffman. 16 You are here to ask questions. 17 Now, your question, as I understand 18 it, if you would like to restate it, is, Did 19 Patsy Ramsey write the ransom note. Is that the 20 question? 21 MR. HOFFMAN: Yes, it is. 22 MR. WOOD: Why don't you restate that 23 because I don't think the other question isn't 24 worth the paper it is written on or the time you 25 have taken up to ask it because it is totally Page 80 1 improper as to its form. 2 Now, ask her a question. 3 MR. HOFFMAN: First of all, I am 4 going to respond to your ad hominem attack. 5 MR. WOOD: It is not an ad hominem 6 attack. 7 MR. HOFFMAN: It is an ad hominem 8 attack, and it is done for the purposes 9 grandstanding, which, you know, seems to be the 10 way you are operating, sir. 11 MR. LIN: Take that up with Judge 12 Carnes. Why don't you just ask your question. 13 MR. HOFFMAN: No. I am going to 14 respond to your ad hominem colloquy, which was, 15 in effect, an attack on me. 16 I was not lecturing Mrs. Ramsey. 17 And, Mrs. Ramsey, I apologize if I -- 18 MR. WOOD: You don't have to respond 19 to that. 20 Do you have a question? 21 MR. HOFFMAN: No, Mr. Wood. I am 22 going to respond to your ad hominem attack, which 23 is what I consider it to be. 24 The fact is, I was not lecturing Mrs. 25 Ramsey. I was explaining to Mrs. Ramsey, Page 81 1 prefatory to asking her a question which could be 2 regarded as very insensitive, which is simply, Did 3 you write the ransom note?, as to why I was 4 asking that question. 5 And, quite frankly, I don't think it 6 was improper of me to show a certain sensitivity 7 to a mother whose daughter has died rather 8 brutally. 9 MR. WOOD: Darnay, Darnay, you have 10 not shown this family any sensitivity since March 11 of 1997. 12 MR. HOFFMAN: That's not -- 13 MR. WOOD: Let me stop you here. 14 MR. HOFFMAN: That's not before -- 15 MR. WOOD: Let me stop you here. 16 No, sir. Let me stop you here. 17 I am not going to sit here and have 18 you go back and forth and talk with my client or 19 lecture my client. You are here under the 20 Federal Rules of Civil Procedure to ask questions. 21 I have the right to make an objection. If you 22 deem my objection to be an ad hominem attack, 23 take it up with Judge Carnes. 24 MR. HOFFMAN: Same here. 25 MR. WOOD: I believe my objection is Page 82 1 100 percent good. 2 Now, ask your question, let's get 3 answers, and let's move on. We don't need the 4 back-and-forth every time I make an objection. 5 Okay. Please, let's get going. 6 MR. HOFFMAN: You are responsible, to 7 some degree, for the back-and-forth. 8 Quite frankly, under the Federal 9 Rules, I don't think you have the right to 10 interfere and try to control my deposition. 11 MR. WOOD: I have the right to make 12 an objection, I did make an objection, and I 13 asked you to state your question. 14 MR. HOFFMAN: But not an attack on 15 counsel, which is, in fact, what this was. This 16 was an ad hominem attack. You characterized what 17 I was doing with your client as lecturing her. 18 MR. WOOD: I think the record will 19 speak for itself. 20 MR. HOFFMAN: And also, I think you 21 spoke outside of anything that was going on here, 22 which was to conduct that you considered to be 23 improper on my part outside of this deposition. 24 MR. WOOD: I don't know what you are 25 talking about now. Page 83 1 MR. HOFFMAN: You just made a 2 reference -- you can read it back -- to my lack 3 of sensitivity to the Ramsey family in general. 4 MR. WOOD: You are the one making 5 representations on the record about being 6 concerned. 7 MR. HOFFMAN: No. I am not making 8 representations. I am explaining. 9 MR. WOOD: You are wasting all of 10 our time now. 11 MR. HOFFMAN: No. This is my time. 12 MR. WOOD: Okay. If you want to 13 waste it. 14 MR. HOFFMAN: This is my deposition 15 time, and I am going to make a record responding 16 to your ad hominem attack on counsel. 17 MR. WOOD: Why don't you go ahead 18 and make that record. 19 MR. HOFFMAN: I just have been making 20 it. I have been making it. 21 MR. WOOD: When you are through, she 22 will come back and she will answer questions. 23 You don't have to sit here and listen 24 to this, Mrs. Ramsey. 25 MR. HOFFMAN: If she doesn't want to, Page 84 1 that is fine. 2 MR. WOOD: You don't have to. You 3 can take a break, and you can go ahead and make 4 your response. And when you have a question, we 5 will bring her back in here, and we will answer 6 all your questions that are properly formed. 7 MR. HOFFMAN: All right. What we 8 will do is this, I am going to ask Mrs. Ramsey 9 a very simple question. 10 MR. WOOD: Thank you. 11 Q. (By Mr. Hoffman) Mrs. Ramsey, did 12 you write the ransom note that was discovered by 13 yourself on December 26, 1996, at your home? 14 A. No, sir, I did not. 15 MR. HOFFMAN: Okay. Thank you. 16 Now, at this point, I think we will 17 take a break. I think this would be an 18 appropriate time to take a break. Thank you. 19 THE VIDEOGRAPHER: We are off the 20 video record at 10:55. 21 (A recess was taken.) 22 MR. HOFFMAN: Just for the purposes 23 of taking up briefly before we left off, I 24 believe Mr. Wood made a motion to strike or will 25 do so with respect to that, and I just want to Page 85 1 formally say that I would object and I do object 2 to any motion to strike any of the material he 3 referred to earlier. That is all. I simply want 4 to be on record as objecting to that. And that 5 is all. 6 THE VIDEOGRAPHER: Ready to go on the 7 video record? 8 MR. HOFFMAN: Oh, I want to put that 9 on the video record. Sorry. 10 THE VIDEOGRAPHER: We are on the 11 video record at 11:07. 12 MR. HOFFMAN: At this point, I would 13 like to move on to another topic area, but just 14 for the purposes of making a record, Mr. Wood 15 earlier in the deposition said that he was going 16 to object to or asked to strike statements that I 17 had made prefatory to a question that I asked 18 Mrs. Ramsey concerning the authorship of the 19 ransom note. And just for the record, I object 20 to any attempt to have that stricken from the 21 record. That is all I want to say with respect 22 to that. 23 Mr. Wood, if you want to add anything 24 to that. 25 MR. WOOD: Next question. Page 86 1 Q. (By Mr. Hoffman) Now I am just 2 going to go into -- I am going to ask for some 3 clarification of things that are in the book, 4 things that I didn't understand. 5 I am going to turn your attention to 6 page 378. It is chapter -- in fact, I can let 7 you look at that. There are two statements 8 there. In fact, Mrs. Ramsey, if you will just 9 give me your book, I will just quickly highlight 10 it. I am sorry about not having done this 11 beforehand. 12 All right. I would like you to read 13 the highlighted portions on page 378 in your book 14 "the Death of Innocence." That is the paperback 15 edition. 16 A. "The Boulder grand jury said no to an 17 indictment." 18 Q. And then the next statement that I 19 highlighted. 20 A. "The grand jury's secret decision." 21 Q. Do you have any personal knowledge as 22 to whether or not the grand jury did, in fact, 23 make a decision based on that statement? 24 A. Well, the district attorney, I 25 believe, made a public statement that said there Page 87 1 would not be an indictment. 2 Q. There is a reference here to the 3 grand jury's secret decision. Do you have any 4 knowledge of a secret decision by the grand jury, 5 any personal knowledge? Are you referring to 6 that? 7 A. Well, I think all of the grand jury 8 information is under wraps or under seal or 9 something. 10 Q. But do you know whether or not the 11 grand jury, in fact, made a decision in your 12 case? 13 A. Just going from what the district 14 attorney said, that there was no indictment. 15 Q. Okay. But this doesn't indicate -- 16 the reason I am asking you this question is -- 17 withdraw. 18 Is Patrick -- is it Patrick Furman, 19 was he an attorney of yours at one point? 20 A. Yes, he was. 21 Q. Were you aware that Mr. Furman made a 22 statement that was published in the Boulder papers 23 to the effect that there was a rumor that the 24 grand jury had taken a straw poll and had decided 25 not to indict? Page 88 1 MR. WOOD: Object to the form of the 2 question in that I think you have inadvertently, 3 perhaps, made reference to the wrong lawyer; but 4 if you have a statement to show her, that might 5 be helpful. 6 MR. HOFFMAN: I don't have that 7 statement. I am just asking her if she has 8 heard that. 9 THE WITNESS: I am not aware of a 10 statement by Mr. Furman in the paper. 11 Q. (By Mr. Hoffman) Then I will ask 12 you, by any of your attorneys -- 13 A. No, I am not. 14 Q. -- to the effect that the grand jury 15 -- that there was a rumor that the grand jury 16 had taken a secret straw poll and had decided or 17 voted not to indict? 18 MR. WOOD: You are talking about 19 public statements, not anything attorneys may have 20 said to her? 21 Q. (By Mr. Hoffman) No. No attorney. 22 I don't want you to reveal anything that is an 23 attorney/client. 24 A. No, I am not aware of any such 25 statement. Page 89 1 Q. So the statement "The grand jury's 2 secret decision" is not referring to any personal 3 knowledge that you have about what went on in the 4 grand jury room with respect to any decision to 5 indict or not indict; is that correct? 6 A. I think that adjective was used just 7 referring to grand jury as a whole does 8 everything behind closed doors. 9 Q. So it is just a figure of speech; is 10 that correct? 11 A. Actually, I did not write this 12 section. John wrote this. So you might want to 13 ask him that question. 14 Q. Okay. Thank you. 15 Now, there is an incident in the book 16 on page 191 which you might remember. It is 17 fairly lengthy. I just want you to review it. 18 I am not asking you to read it. It involves 19 the alarm system that apparently failed when you 20 came home. I think you were in your home in 21 Charlevoix. Is that it? 22 It is the next-to-last paragraph on 23 191. If you could, just look at that to refresh 24 your memory generally. 25 A. Where it says, "John put in an alarm Page 90 1 system"? 2 Q. System, yes. 3 MR. WOOD: And you can read anything 4 you need to to put that into context. 5 MR. HOFFMAN: Yeah. 6 THE WITNESS: Okay. 7 Q. (By Mr. Hoffman) Do you remember 8 that incident? 9 A. About putting the alarm system in? 10 Q. No. That incident where -- no. 11 Your feelings with respect to security and 12 whatever. It is not an incident. 13 I am going to refer to another part 14 of the book in a minute. Just simply your state 15 of mind in security systems. 16 A. I guess I am unclear about what you 17 are asking me. 18 Q. What I am going to ask you is this: 19 Do you know whether or not -- first of all, when 20 you were living in Boulder at the time of the 21 death of your daughter, did you have a security 22 system in your home? 23 A. Yes, we did. 24 Q. Was that a security system that you 25 used at the time you went out that night, Page 91 1 December 25th, as you would explain it in your 2 book? When you went out visiting people, did you 3 have the security alarm on that night? 4 A. No, we did not. 5 Q. When you moved to Atlanta, did you 6 install a security system in your homes, any of 7 them? 8 A. Yes, we did. 9 Q. Did you have a security system in the 10 home that has been identified as the Atlanta -- 11 not mansion, but that -- I don't have the 12 address. The house where John was assaulted in 13 May of, I think it was, 2001. Do you know if 14 there was a security alarm in that facility, that 15 home, in Atlanta? 16 A. There was. When we moved in, we 17 installed a very elaborate security system. And 18 subsequent to that, we had some extensive 19 remodeling done, and the security system was 20 dismantled and was subsequently reinstalled. 21 Q. Who was in charge of, in Boulder, 22 with turning the security system on or off? Was 23 that you or was that John, normally? 24 A. We normally did not use the security 25 system in Boulder. Page 92 1 Q. Why was that? 2 A. Because we felt safe in Boulder. |